Number, renumber, or remove barline numbers in Humdrum files.Įxtracts pitch information from **kern spines and converts them to a base-12 representation which is used in MIDI applications.Įxtracts pitch information from **kern spines and converts them to a base-40 representation which preserves interval qualities between pitches when transposed numerically.Īnalyzes **kern spines for metrical positions of beats. Generate average pitch for each staff of music and/or all staves. Terminate crescendo and decrescendo wedges in **dynam spines. Generates a rhythm attack summary by measure in binary format. Join one or more Humdrum files which contain **kern data.Ĭounts the attacks for each position in the score. Reduces chordal textures to their unembellished forms. Scape-based shape archetype analysis in performance data.ĭisplay arc plots for similiary/form analysis. Melody analyzer using Humdrum data format as input. Counts the number of notes within each measure of the score and then outputs either raw data or instructions for creating a plot.Īdd tempo settings to a Humdrum file with **kern spines. 6, Op.Museinfo/humdrum Example Programs museinfo/humdrum Example ProgramsĬumulative articulation plot generator. Variation IV: Debussy’s Pagodes from Estampes Variation III: Bach’s Goldberg Variations ( Variation XXX) Variation II: Chopin’s Nocturne in E-flat, Op. Variation I: Beethoven’s Sonata in F minor, Op.
#Vertical sonority full#
Variazioni : Practicing Zen Orchestration Applying and expanding techniques from Part I using examples from the full gamut of the Piano Repertoire The Hand of God – Using Hammers and ChiselsĮnergy = Emotion + Form + Color Įnjoyment – The Kernel of Talent and Persuasive Performingįuga : The Music Theory behind Energy Pillars –Harmonic Dissonance/Meter/Note-value/Note-height Mimicking Masters ~ The Imitation Filters Zen, Circular Energy, and the Four Time Dimensions On Conducting and Studying the Score Away from the Piano To the Key-bottom or Beyond? – Applying Depth Vertically/Applying Depth Horizontally/Combining and Contrasting Height and Depth Vertical Phrasing –Packaging Vertical Solar Systemsįrom the Key Surface or from the Air? – Applying Height Vertically/ Applying Height Horizontally Zen Prelude and Allegro Moderato: Zen Prelude/The Path to Zen/Self and the Eternity of GesturesĬreating an Orchestral Sonority – Applying Vertical Hierarchy You're invited to add your voice to the discussion at the bottom of each post. This is an important aspect of what lends the orchestra its multi-dimensional, surround-sound effect.
No matter conductor - be it a precision wizard like Pierre Boulez or a free-spirited troubadour like Leonard Bernstein - the orchestral beat is always more spread than the pianist’s.
#Vertical sonority how to#
A great conductor knows however how to take full advantage of a spread beat when the style allows it. A good conductor learns to bring every player and section’s peculiar speed of sound production into a homogenous beat.
In the Orchestra, lower-pitched instruments tend to emit sound more slowly than higher-pitched instruments (as do Brass and Winds compared to Strings and Percussion). The next is applying what I call Vertical Hierarchy, a method of establishing orchestral dimensions at the keyboard. High sounds tend to hit the ear first, lower sounds more slowly. Knock on the sky and listen to the sound!ĭefining colors is the first step toward creating an orchestral sound. Creating an Orchestral Sonority - Applying Vertical Hierarchy
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